Portuguese cinema, like many other forms of art, was deeply influenced by the country's political and social context, especially the period that culminated in the Carnation Revolution, on April 25, 1974.
Before April 25th, Portuguese cinema often reflected the oppressive climate and limitations imposed by the authoritarian regime. Films were censored and freedom of expression was restricted, which resulted in cinematographic production dominated by propagandist works or works that portrayed an idealized vision of the nation.
However, the Carnation Revolution brought with it a wave of change and renewal for Portuguese cinema. With the establishment of democracy, filmmakers were freed from the restrictions imposed by censorship and were able to explore more controversial and provocative themes.
The post-April 25 period saw an increase in the production of films that addressed social and political issues more openly and critically. Many filmmakers took advantage of their newfound freedom to explore themes such as collective memory, national identity, social inequalities and past injustices.
In short, Portuguese cinema after April 25, 1974 underwent a profound transformation, reflecting not only the political and social changes in the country, but also the evolution of cinematographic art itself.
Museu de Cinema Jean-Loup Passek
Rua do Carvalho – Centro Histórico. Melgaço
