Award

Jean Loup Passek

D. Quijote

Running for

BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM

jean loup passek

HALO BABCIU HELLO GRANDMA

Kamila Chojnacka | Poland, 2020, 28'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc halo babciu

"Hello Grandma" is a story about family, closeness and difficulties of isolation. The action of the film takes place in the spring of 2020. Kamila Chojnacka records her immediate surroundings during the lockdown. Over time, the lack of contact with the outside world begins to bother the heroes. The tension is intensified by Kamila's grandma who ignores all safety rules.

  • Photography: Kamila Chojnacka, Jakub Chojnacki
  • Sound: Jakub Chojnacki, Tomasz Barczyński
  • Editing: Jakub Kopeć
  • Production: Krystyna Doktorowicz
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Kamila Chojnacka
Kamila Chojnacka
Born in 1994. Graduate of film directing at Krzysztof Kieślowski Film School at the University of Silesia in Katowice (Poland). „Hello Grandma” is her graduation project. Author of several short feature and documentary films.

A SAD SE SPUŠTA VEČE THEN COMES THE EVENING

Maja Novaković | Serbia, 2019, 27'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc a sad se spušta veče

In the lush pastoral hills of Eastern Bosnia, two old women share a solitude. The care they have for each other is not composed of words, but rather their daily conduct. They are in a conversation with the land, welcoming the voices of nature, and the songs of a memory that is dying out.

  • Photography: Jasna Prolić
  • Sound: Prvoslav Živanović
  • Editing: Marija Kovačina
  • Production: Maja Novaković, Milan Milosavljević
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Maja Novaković
Maja Novaković
MAJA NOVAKOVIĆ (1987, Srebrenica, Bosnia and Herzegovina) has completed her Bachelor's Degree and Masters at the Department of Art History at the Faculty of Philosophy in Belgrade. She attended a film directing workshop at the Students’ City Cultural Centre Academic Film Centre in Belgrade. Currently Novakov ić is doing her PhD studies with registered thesis "Poetics of heritage in the works of Sergei Parajanov" at the Department of Art History at the Faculty of Philosophy, University of Belgrade. She is a researcher at the Centre for Museology and Heritology at the same university, and a research assistant at the Mathematical Institute of Serbian Academy of Sciences and Arts.

IMPERDONABLE UNFORGIVABLE

Marlén Viñayo | Spain / El Salvador, 2020, 30'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc imperdonable

Geovany was a ruthless hitman for the 18th Street gang and nowadays is serving his sentence in an isolation cell in El Salvador. In prison, he withdrew from the gang and joined an evangelical church that lavished God's forgiveness on him. However, there is a sin that is not forgivable for either the gang or the church: being gay.

  • Photography: Neil Brandvold
  • Sound: Eduardo Cáceres
  • Editing: Andrea Bilbao
  • Production: Marlén Viñayo & Carlos Martínez
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Marlén Viñayo
Marlén Viñayo
Marlén Viñayo (Spain, 1987). Documentary filmmaker. She has lived in El Salvador since 2013, where she founded the production company La Jaula Abierta. "Cachada - The Opportunity" (2019), her debut feature documentary, won nine international awards, including the Audience Award at SXSW Film Festival and the Latitud Award at DocsBarcelona and was selected in more than 50 film festivals in Europe, America and Asia. "Unforgivable" (2020) is her second film and was awarded as Best Short Documentary at IDFA, Hot Docs, Slamdance, Sebastopol and Guanajuato Film Festival, and nominated for the IDA Documentary Awards.

GUERRA, TIZA, TIEMPO - AUSENCIAS RECUPERADAS
WAR, CHALK, TIME - RECOVERED ABSENCES

Philippine Sellam | Spain / Argentina, 2020, 15'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc guerra, tiza, tiempo

The IMPA factory, located in the city of Buenos Aires, Argentina, was recovered by its workers in 1998. It was one of the first of a large movement that emerged as a response to the economic crisis that pushed many factories to bankruptcy and threatened the jobs of thousands of workers. Today, a handful of workers still produce aluminum trays and tubes with machines built more than fifty years ago. Through images and anecdotes spread out throughout a factory that seems to have remained outside of time, this short film seeks the human face and the deepest dimensions of the recovery.

  • Photography: Philippine Sellam
  • Sound: Philippine Sellam
  • Editing: Philippine Sellam
  • Production: Philippine Sellam
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Philippine Sellam
Philippine Sellam
After leaving France aged eighteen, Philippine Sellam lived, studied and worked in different places, including the Netherlands, Armenia, Australia, Cuba, and Argentina. In 2014, finished the Master’s degree in Sustainable Development and began studying Cinematography and Documentary Filmmaking in Argentina. Philippine created various short films, including ‘War, chalk, time / Recovered absences’ and ‘El Roma’. Currently, she is editing my first feature length documentary, with material shot over several years in a marginal neighbourhood of the suburbs of Buenos Aires.

OS CORPOS THE BODIES

Eloy Domínguez Serén | Spain, 2020, 11'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc os corpos

In Galicia, Spain’s most northwestern region, one of the oldest forms of Carnival takes place every year. Spread over several days are parades with felos and peliqueiros, characters who wear spectacular outfits, including a striking mask and a belt strung with large cowbells. Another tradition is the farrapada, in which participants pelt each other with rags covered in mud. There is also a fight in which flour and ants are thrown on the participants. The nighttime scenes of a partying crowd, often packed tightly together, gain extra significance in the knowledge that this celebration took place in late February, just ten days before the first confirmed case of Covid-19 in the region.

  • Photography: Eloy Domínguez Serén
  • Sound: Eloy Domínguez Serén
  • Editing: Eloy Domínguez Serén
  • Production: Beli Martínez, Eloy Domínguez Serén
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Eloy Domínguez Serén
Eloy Domínguez Serén
Graduated from the Universitat Autònoma de Barcelona, he began his career as a film critic, co-founder and co-director of the magazine A Cuarta Parede. In 2010 he is a member of the Júri da Mostra de Venecia. The following year he moves to Stockholm, where he shoots the shorts Pettring (2013) and No novo céio (2014). In 2014 he films the mediometraxe Jet Lag and in the following two years he completes the feature No cow on the ice (2015), premiered in Visions du Réel, and two more short films: Yellow brick road (2016) and Rust (2016). In 2018, his feature film Hamada (2018) premieres in IDFA.

OS MEUS AVÓS EM VIAGEM MY GRANDPARENTS TRAVELLING

Rui Esperança | Portugal, 2021, 14'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc os meus avós em viagem

On March 19 1956, my grandfather wrote to my grandmother on his way to Macao, where he lived for two years during the colonial period. 60 years later, my grandmother, a craftswoman from Viana do Castelo, Portugal, is invited to participate in an international fair dedicated to Portuguese speaking countries in Macao. With her for company, my grandfather makes an old and secret dream come true: to return to where he was most happy. I join them, intrigued by this reunion between my grandfather and that feeling as he searches for a semblance of the world he once knew while confronting a landscape that has changed drastically, and unforgivingly.

  • Photography: Rui Esperança
  • Sound: Rui Esperança, Daniel Deira
  • Editing: Rui Esperança
  • Production: Rui Esperança, Rui Ramos, FORA DE CAMPO FILMES
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Rui Esperança
Rui Esperança
Rui Esperança was born in Viana do Castelo in 1991. Graduated in Film by the National Theatre and Film School in Lisbon, he is the author of a body of work that most recently includes “The Outsiders” (IndieLisboa; 2019), “18” (Curtas Vila do Conde; 2019), among others. He was assistant director to Joaquim Sapinho between 2013 and 2015 and a member of the YEAD Project (Young European Cultural Audience Development) that took place between 2016 and 2019.

SHADOWS OF YOUR CHILDHOOD

Mikhail Gorobchuk | Russia, 2020, 21'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc shadows of your childhood

Our house becomes shrouded in the silence of night. It grows long shadows accentuated by the random sparks of the kerosene lamp. For little Stesha, the darkness becomes a way into another world that is both frightening and fascinating. Fragments of elusive memories, voices and shimmers of light – these are the flickering sensations of childhood, and they stay with us forever

  • Photography: Mikhail Gorobchuk
  • Sound: Dmitry Nazarov
  • Editing: Mikhail Gorobchuk
  • Production: Ekaterina Vizgalova, Irina Kalinina, Vladislav Shuvalov
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Mikhail Gorobchuk
Mikhail Gorobchuk
Mikhail Gorobchuk was born on 04.06.1988 in Novokuznetsk, Russia. In 2010 graduated from Gerasimov Institute of Cinematography (VGIK), the Faculty of Cinematography. In 2007 he received the President's grant for talented youth. In 2013 he received the National Award in the field of documentary film and television "Laurel Branch" in the category "Best professional cinematographer".

3 LOGICAL EXITS

Mahdi Fleifel | Denmark, 2020, 14'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc 3 logical exits

A sociological meditation on the different “exits” that young Palestinians choose, in order to cope with life in the refugee camps.

  • Photography: Mahdi Fleifel, Talal Khoury
  • Sound: Dario Swade
  • Editing: Michael Aaglund
  • Production: Mahdi Fleifel
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Mahdi Fleifel
Mahdi Fleifel
Born in Dubai, Mahdi Fleifel lives and works between Denmark, England and Greece. A graduate of the UK’s National Film & Television School, he studied Fiction Directing under Stephen Frears and Pawel Pawlikowski. In 2010 he founded the London based production company Nakba FilmWorks with Irish producer Patrick Campbell. Fleifel’s critically acclaimed debut feature, A world not ours, premiered at the Toronto International Film Festival and received over 30 awards, including the Berlinale Peace Prize, and the Edinburgh, Yamagata and DOC:NYC Grand Jury Prizes. He was named Best New Nordic Voice at Nordisk Panorama, and received the New Talent Award at CPH:DOX in 2013. In 2016 Fleifel won a Silver Bear for A MAN RETURNED. His follow up, A drowning man, was selected in the Official Competition at Cannes, and was nominated for a BAFTA. His last film, I signed the petition, won Best Documentary Short at IDFA and was nominated for the 2018 European Film Awards.

BUSTARENGA

Ana Maria Gomes | France / Portugal, 2019, 30'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc bustarenga

Every summer Ana goes to Bustarenga, a small mountain village in the interior of Portugal. At the age of 36, this Parisian woman of Portuguese origin is still single. The inhabitants of the village, worried about her future, make her understand that the clock is ticking. Ana listens to the advice and warnings of the villagers to find a Prince Charming according to the principles of the village.

  • Photography: Ana Maria Gomes
  • Sound: Diana Meireles
  • Editing: Suzana Pedro
  • Production: Miguel Dias, Curtas Metragens C.R.L. // Emmanuel Chaumet, ECCE FILMS
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Ana Maria Gomes
Ana Maria Gomes
Ana Maria Gomes is a Franco-Portuguese artist and filmmaker, born in 1982 in France. She lives and works in Paris. She graduated from the École Nationale Supérieure des arts décoratifs in Paris and went on to further study at Le Fresnoy, specializing in video art. Gomes’s work today focuses on the role of fiction in the construction of personal identities; her main artistic interest revolves around her inner circle and family in particular. Her work has been presented in exhibitions and screened in international festivals (Hors Piste at the Centre Pompidou, Gaîté Lyrique, Jeu de Paume, Museum of Hunting and Nature in Paris, French and Portuguese Cinemathèque, etc.), it has received support from artistic institutions including the G.R.E.C, the Gulbenkian Foundation, SCAM, DRAC or the Centre National des Arts Plastiques, and it is part of public collections such as the French National Contemporary Art Fund Collection (FNAC), the National Bpi Catalogue (Images en Bibliothèques), the National French Library (BnF), the collection of the Casa de Velazquez.

A HORSE HAS MORE BLOOD THAN A HUMAN

Abolfazl Talooni | Iran, 2020, 19’

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc a horse was more blood than a human

An older couple leave Tehran and return to their idyllic home town on the Turkish border, but their dreams of quiet retirement are shattered by the realisation that their town has become a smuggling gateway into Europe, and everyone they know is involved.

  • Photography: Mehdi Azadi
  • Sound: Ahmad Afshar
  • Editing: Pawel Stec, Abolfazl Talooni
  • Production: Anna Snowball
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Abolfazl Talooni
Abolfazl Talooni
Abolfazl Talooni is an Iranian filmmaker. He studied at the Arts University of Tehran in Iran and at the National Film and Television School in the UK. Alongside making documentary films, he is an established editor in London.

THE GOLDEN BUTTONS

Alex Evstigneev | Russia, 2020, 19'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc the golden buttons

“Everyone can accomplish a heroic act in their life,” says the instructor. But such a destiny is prepared for volunteer teenagers in the presidential school of cadets that trains them to serve in the National Guard created by Putin in 2016. Alex Evstigneev captures these future heroes and reveals their extreme fragility on the verge of indoctrination with sound and images.

  • Photography: Alex Evstigneev, Liza Popova
  • Sound: Michael Tyukalin
  • Editing: Sasha Gusarova
  • Production: Alex Kozmenko
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Alex Evstigneev
Alex Evstigneev
Alex Evstigneev was born and grew up in Shatura, Russia. He has been studying Documentary Filmmaking at Gerasimov Institute of Cinematography (also known as VGIK), course of Viktor Lisakovich, and Alexey Geleyn. His student film The Track premiered at Dok Leipzig in 2019, the festival circle of the next documentary The Golden Buttons was launched on Visions du Reel in 2020. Recently, Alex has been working on an animated documentary Mom’s Hair.

BELLA

Thelyia Petraki | Greece, 2020, 24'

Running for the Jean-Loup Passek Award for
BEST INTERNATIONAL SHORT OR MEDIUM LENGTH FILM
mdoc bella

Greece 1986-1987, a little before the fall of State Socialism and just at the end of the Cold War. In front of Anthi’s eyes the country is changing, the world is changing and with them Christos seems to be changing too. Bella is the story of a moment in time recreated as if in a feverish dream where fiction and documentary overlap perfectly, creating a striking and emotional cinematographic universe.

  • Photography: Manu Tilinski
  • Sound: Christos Giannakopoulos
  • Editing: Myrto Karra
  • Production: Kostas Tagalakis
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Thelyia Petraki
Thelyia Petraki
Thelyia Petraki is a film director, script writer and an anthropologist. She graduated from CAL-ARTS (USA) with a BA in Film, and from University College of London (UK) with an MA in Visual & Material Culture - dept. of Social Anthropology.