ATOPIA
ATOPYH

Luís Azevedo / Alexandre Marinho, Portugal / 2015 / 11'27''

A journey to meet someone who belongs nowhere. An impossible return. After living in the city for eleven years, José António Baptista returned to his home village to focus on literature.

• Photography: Tiago Carvalho / Igor Martins
• Sound: Ana Pedro
• Editing: Luís Azevedo, Tiago Carvalho, Alexandre Marinho, Igor Martins, Ana Pedro
• Production: Luís Azevedo, Alexandre Marinho / Kino Gang Filmes

A TOCA DO LOBO
THE WOLF’S LAIR

Catarina Mourão, Portugal / 2015 / 102'

All families keep secrets and mine is no exception. First I discover an old 9.5mm film and then rediscover the old albums of my mother’s childhood where all photographs resemble optical illusions. Later the grandfather who I’ve never met reveals himself by talking to me in a strange television program. Between past and present, I try to give meaning to what I’m discovering and to the silences and closed doors appearing before me.

• Photography: João Ribeiro / Catarina Mourão
• Sound: Armanda Carvalho
• Editing: Pedro Duarte, Catarina Mourão
• Production: Maria Ribeiro Soares / Laranja Azul

UMA RAPARIGA DA SUA IDADE
A GIRL OF HER AGE

Márcio Laranjeira, Portugal / 2015 / 88'

Mariana is a girl looking for a context in which to commit to since leaving her parents’ house to move in with Alex in Lisbon. When he departs to New York City she can’t stand what is left behind. Even though going back seemed unthinkable, she returns to the north. The abandonment of Lisbon with the added weight of self-failure and the river crossing on the return home carry her towards the legend of forgetfulness: whoever crossed that river would forget about their past. Alex returns while Mariana tries to conquer a setting that might suit her. She no longer believes in this country. She feels a lot closer to the place where her life started. He leaves. She doesn't return.

• Photography: Sérgio Brás d'Almeida
• Sound: Tiago Rocinha
• Editing: Márcio Laranjeira
• Production: Márcio Laranjeira / Terratreme Filmes

A MOVIE FOR YOU
FILMI BARAYE TO

Iman Behrouzi, Germany / 2015 / 25'

An Iranian filmmaker wants to move to Germany. There is a problem, though. He has to leave his girlfriend behind. Forced to choose between love and ambitions, he plans to make a film of their first date. He asks some of his friends to stand in while he chooses one of them for playing the role of his girlfriend. A documentary teen comedy about love and longing set in contemporary Iran.

• Photography: Hosein Ahmadian
• Sound: Ehsan Afsharian
• Editing: Fereshteh Parnian
• Production: Iman Behrouzi

NO COW ON THE ICE
INGEN KO PÅ ISEN

Eloy Domínguez Serén, Switzerland / Spain / 2015 / 63'

Language and landscape as a gate into a new life. A young Galician Filmmaker immigrates to Sweden, where he performs different part-time jobs. His learning of a new language and fascination for the Swedish landscape become a driving force against the difficult life conditions. As he learns about the culture, society and lifestyle, he develops a new identity.
Evoking Jonas Mekas might not be inappropriate to introduce this personal filmed diary, especially in regard to the richness of the situations and the delicate and visually graceful approach. Having in mind the historical perspective of his grandparent's emigration, Domínguez Serén's core focus - and the one underlying today's human migration - is undoubtedly the acquisition of a new language, which allows for the developing of a deep relationship with both a new landscape and a different human culture. Filmed over several years, the filmmaker manages, with a very accurate editing, to capture this long process, which starts with silent solitary thoughts and evolves into communication.

• Photography: Eloy Domínguez Serén
• Sound: Ricardo Atienza, Niklas Billström, Johanna Byström, Sara Campanella
• Editing: Eloy Domínguez Serén
• Production: Eloy Domínguez Serén

IRMÃOS
BROTHERS

Pedro Magano, Portugal / 2015 / 71'41''

Hundreds of men and children walk aligned, through the roads and trails of São Miguel Island, in the Azores, a sacred place where nature and faith come together. Wearing shawls, scarves, a stick and a rosary, they pray for them, for their families and for anyone they meet on the road while collecting their prayers. Over one week and 300 km, it’s a journey of tears, joy and hope, a unique ritual of faith and sharing, honouring a tradition that started 500 years ago.

• Photography: Pedro Magano
• Sound: Pedro Adamastor
• Editing: Ricardo Teixeira
• Production: Liliana S. Lasprilla / Pixbee

THE IMPOSSIBLE CHOICE
LE CHOIX IMPOSSIBLE

Patrick Séraudie, Portugal / France / 2015 / 52'

Portrait of the Portuguese community in the region of Limousin, The Impossible Choice strives to capture the variety and complexity of the situations, from the first generation arriving in France in the ‘1950s to their descendants, themselves also divided between two countries. Today, a new wave of emigrants, propelled by crisis, arrives in Limousin. Will it be facing the same difficulties as their predecessors? Will it resolve their problems the same way? A collection of testimonies, exchange of words between generations, The Impossible Choice questions the notions of identity and belonging to a territory. And shows how and why, even today, some leave their country, sometimes their families, to seek for a new history and new roots.

• Photography: Frédéric Perlaux / Pedro Neves / Edmond Carrère
• Sound: Philippe Ferrasse / Ricardo Leite / Richard Escola
• Editing: Fabrice Audouin
• Production: Patrick Séraudie / Pyramide Prodution, Pedro Neves / Red Desert

WOMEN IN SINK
WOMEN IN SINK

Iris Zaki, UK / Israel / 2015 / 36'

In a hair-salon in Israel, owned by a Christian Arab, the director installs a camera over the washing-basin. As she washes their hair, she converses candidly with the Salon’s clients – who are Arabs and Jews - on topics ranging from politics to love. What emerges from these conversations is an honest and nuanced portrayal of contemporary Israel.

• Photography: Iris Zaki / Ofir Peretz
• Sound: L & F Studios London
• Editing: Tal Cicurel, Iris Zaki
• Production: Iris Zaki

A FESTA E OS CÃES
THE PARTY AND THE BARKING

Leonardo Mouramateus, Brazil / 2015 / 25'

At night time they join in a gang, as if they were a platoon deserting from the one same place, to this corner of neighbourhood in the suburbs of Fortaleza.

• Photography: Juliane Peixoto / Leonardo Mouramateus
• Sound: Pedro Diogenes, Erico Paiva
• Editing: Luciana Vieira, Leonardo Mouramateus
• Production: Leonardo Mouramateus, Ticiana Augusto Lima, Clara Bastos

DISTRICT ZERO
DISTRICT ZERO

Pablo Iraburu, Jorge Fernández Mayoral, Pablo Tosco, Spain / 2015 / 67'

What’s hidden inside the Smartphone of a refugee? It contains clues to a refugee’s memories, past, identity and some contacts from the world he had to flee from. This film narrates the daily life of a tiny mobile phone shop in one of the largest refugee camps in the world.

• Photography: Pablo Iraburu / Jorge Fernández Mayoral
• Sound: Miguel García
• Editing: Jorge Fernández Mayoral, Miguel García
• Production: Itziar García Zubiri, Oxfam & Echo / Arena Comunicación & txalap.art

FAR FROM THE SHORE
LEJOS DE LA ORILLA

Javier Sanz, Spain / 2015 / 60'

Mariama, Amadou, Abdoulaye and Rahisy have an objective in life and they look for the way to get it. “Lejos de la Orilla” is a documentary that shows the heroic and anonymous travel of people who struggle to achieve their dreams. They are able to stand up every time life hits them. It is a story of overcoming, love and dignity.

• Photography: Gema Briones
• Sound: Albert Ribas
• Editing: Pau Luzón
• Production: Javier Sanz

MY ENEMY, MY BROTHER
MY ENEMY, MY BROTHER

Ann Shin, Canada / 2015 / 17'

Zahed and Najah are two former enemies from the Iran-Iraq war who become blood brothers for life. 25 years after one saves the other’s life on the battlefield, they meet again by sheer chance in Canada. Considering the recent coverage of the Middle East this emotional documentary story of Najah and Zahed is a surprising affirmation of humanity that cuts across political borders.

• Photography: Brendan Uegama
• Sound: Alex Bullick
• Editing: Steve Guise
• Production: Melanie Horkan / Nyt Opdocs, Fathom Film Group

AS CASAS NÃO MORREM
HOUSES DO NOT DIE

Pedro Macedo / Inês Fonseca Santos, Portugal / 2015 / 18'

Houses Do Not Die proposes a visit to a non-existent place in a non-existent time: the house where the poet Manuel António Pina lived during several decades of his life. After his death, that apartment, a 2nd floor in the center of Porto, locus solus of a man who, through literature, tried to get closer to silence, remained exactly like when the poet left it: with its books, its papers, its paintings... Pina could - and can - still be there. But he isn't. All that persist are remnants of his presence, of the being that once was.

• Photography: Pedro Macedo
• Sound: Tiago Inuit
• Editing: Micael Espinha
• Production: Framed Films

#MY ESCAPE
MEINE FLUCH

Elke Sasse, Germany / 2016 / 90'

The documentary film #myescape assesses the journey that refugees from Afghanistan, Syria and Eritrea chose to undergo, as the circumstances in their home-countries became increasingly unlivable. Hundreds of thousands are leaving their countries, families and old lives behind, in search of some basic safety and freedom. In most cases, the mobile phone became a quintessential tool to facilitate the organization of one’s escape and the constant companion. This has led many to document their experiences.

• Editing: Janine Dauterich
• Production: Berlin Producers

BEHEMOTH
BEI XI MO SHOU

Zhao Liang, China / France / 2015 / 90'

In Mongolia’s grasslands, filmmaker Zhao Liang witnesses the signs of controversial upheaval due to an aggressive modern economy. Behemoth travels between documentary and narrative, stark truth and allegory, dream and reality. Filmed in breathtaking 4k by Zhao Liang himself, Behemoth is a feast of images, sounds and music, inspired by Dante’s Divine Comedy. From the acclaimed director of Crime and Punishment (Festival des 3 Continents 2007 - best film) and Petition (Cannes Spécial screenings 2009).

• Photography: Zhao Lang
• Sound: Chen Yao, Hu Mengchu, Cao Rui, Li Guocheng
• Editing: Fabrice Rouaud
• Production: INA, Arte France

WRITING ON THE CITY
WRITING ON THE CITY

Keywan Karimi, Iran / 2015 / 60'

Walls are critical sites. They rise with cities and call on faces, names, and the written word; those strong and those weak, slogans, poems, and anthems. We read the walls to discover the dwellers' dreams, who they believe its sovereign is, as well as those who believe in changing the status quo. We realize how dissatisfied people come out of their hiding places to write something on the wall in darkness, looking to the future, turning their back on the past. Walls remind us of constitutional and Islamic revolutions, reflecting the passion of freedom, or the suppressed anger of prisons, from Qasr to Evin. No wall, even if totally white, could be found without a trace of markers and sprays. Walls and writing never separate; this eternal promise is called writing on the city…

• Photography: Arasto Madahi Givi
• Editing: Farahnaz Sharifi
• Production: Keywan Karimi

ESPAÇO PUBLICO
PUBLIC SPACE

Lucas Manarte, Portugal / 2015 / 28'36''

In the last few months, more than thirty electronic devices appeared unexpectedly in Lisbon’s central squares. According to recent media reports, these objects are meant to ‘promote the city and its inhabitants’. How so? And at what price?

• Photography: André Fragoso
• Sound: Upbeat Estúdios
• Editing: Lucas Manarte, Bernardo Enes Dias
• Production: Bernardo Enes Dias, Abel Ribeiro Chaves / Optec

TOUCH OF FREEDOM
DOTYK WOLNOSCI

Sardar Arshad Khan, Poland / 2015 / 11'39''

Poland has a tradition of coal mining that has existed for more than 200 years. After the excruciating hard work inside the deep, dark, hot and claustrophobic environment of the coal mines, some of the miners return home every day to nurture a special hobby that makes us wonder about the journey they make every day to earn their living and also to nurture a special passion - they raise postal pigeons.
The film poetically observes and presents the dark contrast that exists in the two spaces that the miners traverse every day - the pitch black darkness of the mines and the open skies above the mines that the pigeons fly every day to keep fit. What does it say about the miners? What does it say about us as human beings?

• Photography: Sardar Arshad Khan
• Sound: Artur Walaszczyk
• Editing: Sardar Arshad Khan, Cecylia Pacura
• Production: Marcin Malatynski, Mateusz Kozak / Państwowa Wyższa Szkoła Filmowa i Teatralna w Łodz

SHEERIN OF AL-WALAJA
SHEERIN OF AL-WALAJA

Daz Chandler, Australia / Palestine / 2015 / 27'

An intimate portrait of the day-to-day life of a dynamic popular resistance leader from Palestine who left her full-time job with the UN to return to her home village of al-Walaja and fight for its survival. Shot on location over a four-year-period, "Sheerin of al-Walaja" provides a refreshingly candid insight into just what it is that motivates someone to put their life on hold in favour of becoming a full-time activist.

• Photography: Daz Chandler / David Rib
• Sound: Adrian Bilinsky
• Editing: Daz Chandler
• Production: Daz Chandler / Origami Flight

SYMBOLIC THREATS
SYMBOLIC THREATS

Mischa Leinkauf, Lutz Henke, Matthias Wermke, Germany / 2015 / 28'36''

Poetry or threat? An act of surrender or perhaps art? These were the theories that New York puzzled over last summer. How can one incident be interpreted in so many ways? By means of press reports, Symbolic Threats allow the public at large to express their extreme disparity of interpretation. Inspired by the heated debate over the two "white American flags“ that suddenly appeared on the towers of New York city’s iconic Brooklyn bridge, the film asks what kind of societal scope art has in the present day. What happens when threatened freedom reinstates art with the element of danger? Who or what makes it into a threat? Are we safe in the city? What is next?

• Sound: Alexander Heinze
• Editing: Mischa Leinkauf
• Production: Mischa Leinkauf, Lutz Henke, Matthias Wermke / Wermke /Leinkauf

AMATEUR
AMATEUR

Olga Ramos, Portugal / 2015 / 124'

A film on Carlos Relvas (1838-1894) allowing us to place photography in its time and reflect on its role in the artistic and modernization processes of the XIX century. A pioneer of nineteenth century photography, Carlos Relvas was a man of culture and innovation, who left an impressive legacy of approximately 12,000 photographs. The majority of these have been carefully restored over the past few years and aren’t yet public knowledge. His “house-studio” in Golegã (also magnificently recovered) is a unique structure and recognized as a key element in the history of photography worldwide. This film will dwell in the photographers work, his relationship with the photographic image and will increase the importance of his work in the history of photography worldwide. The film will follow a plurality of ideas. Between past and present, not necessarily following a strict chronology, we will discover Relvas’ work. The negatives will guide us through time, showing us distant landscapes from all over Europe, pictures of animals, and human portraits. We will get closer and closer to a distant and enigmatic era, where photography was bringing new and mysterious possibilities.

• Photography: Ricardo Rezende
• Sound: Cyril Santos
• Editing: Olga Ramos, Ricardo Rezende
• Production: Pedro Canavilhas / B'lizzard

THE GUARDIANS
THE GUARDIANS

Benjamin Rost, Germany / 2015 / 26'

Three people with different backgrounds and anxieties are on their way to becoming a bodyguard. 53-year-old Konstantin, Robbe, 29, and the young mother Ana (18) are struggling with anxieties triggered by their past and they all have a good reason to become bodyguards. The documentary "the Guardians" accompanies them during their training toward that objective. A portrait on the quest for security.

• Photography: Dominik Moos
• Sound: Markus Rebholz
• Editing: Robin Weiland
• Production: Estella Suplit / Julia Deumling

RECOGNITION
HAKARA

Sharon Ryba-Kahn, Germany / 2015 / 86'

After an absence of 12 years, a filmmaker is returning to Israel in search for answers. Noga is a high school teenager who is eager to be accepted into the best unit of the Israeli army. Moran is a religious social worker who has chosen as a home town Sderot, which is under the threat of rockets. In this israeli-jewish town also lives Hanadi, a young Arab woman from the northern part of the country, fighting for her identity. Through an attempt to understand the choices of these women, the personal story of the filmmaker is revealed. From north to south, from past to present, the quest for answers creates an intimate portrait of women in a country at war.

• Photography: Mark Dölling / Sharon Ryba-Kahn
• Sound: Evyatar Aluk
• Editing: Ofir Raul Graizer
• Production: Mathias Schwerbrock / Film Base Berlin GmbH

HOJE NÃO É ONTEM
TODAY IS NOT YESTERDAY

José Costa Barbosa, Portugal / 2015 / 26'10''

The living memories of a dead village.
Iria returns to the deserted village to remember her lonely childhood.

A MAN RETURNED
A MAN RETURNED

Mahdi Fleifel , UK / 2016 / 30'

Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain el-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.

• Photography: Mahdi Fleifel
• Sound: Dario Swade
• Editing: Michael Aaglund
• Production: Patrick Campbell / Nakba FilmWorks

THE BOERS AT THE END OF THE WORLD
THE BOERS AT THE END OF THE WORLD

Richard Finn Gregory, South Africa / 2016 / 85'

In the remote Patagonian region of Argentina, the last remaining members of a 100-year-old community of Afrikaans Boers struggle to keep their language and culture alive, while longing to be reunited with their distant families across the ocean in South America. In a remote stretch of Patagonia, Argentina, there is a 100-year-old community that speaks Afrikaans - a language only spoken in South Africa. After the destruction of their farms caused by a war with the British, these Boers - descendants of Dutch settlers - sailed across the ocean to start a new life in 1902. The Boers headed into the arid heart of Patagonia where they found a land that reminded them of their distant home. Today, their children and grandchildren still endure in this harsh place. They speak archaic Afrikaans, cook traditional foods and sing the old folk songs. But despite their fierce pride in their roots, their culture has been eroded over time and only a few dozen of the oldest individuals still speak their mother tongue. They struggle to keep their culture alive but are resigned to the knowledge that they are the last generation to speak the language in the region, and they will be gone in a decade or two. It is a parallel world of contemporary Afrikaans society, separate from the apartheid policies that intervened in South Africa. The film focuses on a family, the Dickasons, who long to reconnect with their relatives. They travel back to Africa for the first time, exploring their sense of identity and connection with their roots.

• Photography: Richard Finn Gregory
• Sound: Daniel Eppel
• Editing: Ronelle Loots / Richard Finn Gregory
• Production: Kelly Scott / Good Work

MATERNAL HISTORIES
HISTOIRES MATERNELLES

Anouk Dominguez-Degen, Switzerland / 2015 / 27'6''

"Maternal Histories" is an inward journey based on the author's family film archive. The film explores intimacy, words and silence, and inspects the various shades of the so-called (maternal instinct). The author questions the implicit inheritance which passes down from generation to generation and the conflicting desires that haunt her as a woman and a mother.

• Photography: Maurice Degen / Anouk Dominguez-Degen
• Sound: Rudy Deceliere
• Editing: Anouk Dominguez-Degen
• Production: Benjamin Poumey / C-Side Productions

VOLTA À TERRA
(BE)LONGING

João Pedro Plácido, Portugal / 2014 / 78'

At Uz, an isolated hamlet in the northern mountains of Portugal, four generations live together in a group of around fifty people. When life is rough, solidarity is of the highest order. Everything else is left in God’s hands. They could have emigrated, like so many others, but chose to stay and keep their ancestral way of life, away from the racket of modernity.

• Photography: João Pedro Plácido
• Sound: Vasco Pimentel
• Editing: Pedro Marques
• Production: Luís Urbano, Sandro Aguilar / O Som e a Fúria, Joëlle Bertossa/ Close Up Films, Nora Philippe / Les Films de l’Air

FUI, COMO ERVAS, E NÃO ME ARRANCARAM
FUI, COMO ERVAS, E NÃO ME ARRANCARAM

Rúben gonçalves, Portugal / 2014

Emigrated in France for 24 years, José Bento Garelha spent most of that time at work, driven by the prospect of returning to Portugal, his home country. Currently serving as President of the Paderne Parish Council, a daily life characterized by a strong connection to the community to which it belongs.

• Photography: Adriana Carvalho
• Sound: Inês Adriana
• Editing: Rúben gonçalves

VISITA
VISITA

Rui Esperança, Portugal / 2014

In an aging village, a mother is visited by her immigrant son.

• Photography: Ana Mariz
• Sound: Luís Ferraz
• Editing: Rúben gonçalves

TERRAS DE QUEM SOU
TERRAS DE QUEM SOU

Flávio Ferreira, Portugal / 2014

We find José doing his everyday tasks. He tells us a story of yesteryear. And then another, and another. In the arms of the large family born from this story, through fields and roads, José guides us by memories of prison cells, land and borders.

• Photography: Joana Oliveira
• Sound: Cátia Oliveira
• Editing: Flávio Ferreira

A REVOLUÇÃO NO CAMINHO
A REVOLUÇÃO NO CAMINHO

Artur Maurício, Portugal / 2014

Rui Táboas emigrated to France to escape the colonial war. And fate determined that he would be one of the protagonists of the 25 th of April Revolution in 1974.

• Photography: André Abreu
• Sound: Bernardo Ramos
• Editing: Miguel Arieira

OS OLHOS DE ANDRÉ
OS OLHOS DE ANDRÉ

António Borges Correia, Portugal / 2015 / 65'

Following the look developed by António Borges Correia - the molds of the documentary (“O Lar", exhibited at IndieLisboa 2008) to re-create fictional stories (“O Gesto", 2011) -, the landscape of Arcos de Valdevez in Portugal is the setting for the recreation, with the same people, of a true story. There, a father tries to rebuild his life after a separation, to welcome his son Andre and reunite a family. Through the eye of António Borges Correia and the perspective of the camera, its actors (the people who lived in the same roles, the same story), follow the suggestions that a new fiction creates from what has already been lived, introducing us, through cinema, to a real life in a real country. But are the bright eyes of young André that meet his major focus: what he has lost in his family, his desire to see his talent for professional football recognized, and what he hides, from his many family figures, in those young eyes.

• Photography: Miguel Robalo
• Sound: Marcos Cosmos
• Editing: Tomás Baltazar
• Production: João Figueiras / Blackmaria

MULLERES DA RAIA
WOMEN FROM THE BORDER

Diana Gonçalves, Spain / 2009 / 42'

A journey to the northern Portuguese and Galician frontiers carries us to our recent past, the local smuggling and clandestine emigration were regular practices on these lands, thanks to the proximity of the neighbour country.
This commercial exchange between both people bordering the Minho river created a big friendship and a shared story.

• Photography: Diana Gonçalves
• Sound: Miguel Barbosa
• Production: Diana Gonçalves

ÁGUAS PASSADAS
PAST WATERS

Ana Costa, Portugal / 2016 / 20'

Avelino and Amélia remember the early days of Contraband. They both made their living thanks to the border, but played completely opposite roles: he was a fiscal guard, she was a smuggler. In this "game of cat and mouse" we find something bigger that unites these two eternal antagonists.

• Photography: Sara Santos
• Sound: Jorge H. Carrilho
• Editing: Sara Santos

FRONTEIRA(S)
BORDER(S)

Sérgio Miguel Silva, Portugal / 2016 / 15'

There was a time when between Portugal and Spain existed a whole underground economy of contraband, a time where good and evil were not defined by a border, a time that left the memories of border people like Mr. Amadeu Pereira, who tells us how Melgaço used to be.

• Photography: Adriana de Melo
• Sound: Mariana Vasconcelos
• Editing: Sérgio Miguel Silva

NOITE LONGA
A LONG NIGHT

Ivan Markelov, Portugal / 2016 / 10'

The film explores the memories of an old school smuggler who spent his youth crossing the river Minho that divides Portugal and Spain time and time again. One of his most vivid memories brings us to the tragic moment of the death of his friend.

• Photography: Bibiana Nunes
• Sound: Daniel Ferreira Lopes
• Editing: Ivan Markelov

PARA ALÉM DA FRONTEIRA
BEYOND THE BORDER

José Santos, Portugal / 2016 / 17'

Maria Emilia, a former smuggler, unveils the scare she escaped from thanks to a fiscal guard. For fifteen years, even while pregnant, Emilia crossed the border between Portugal and Spain, smuggling foodstuffs for subsistence, to sell in her café and door-to-door.
Over time, after the smuggling Emilia’s life adapted to the new reality. The danger was over, giving way to tranquility. Only the memories remain of smuggling that, from time to time, comes to mind while working in the fields.
Smuggling is revised on a journey as a memory exploited by its own words and unexpected reunions that result from unexpected encounters.

• Photography: Fernando Bento / José Santos
• Sound: Carlos Neves