Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM • BEST PORTUGUESE DOCUMENTARY Running for Don Quijote award
3 aug
Casa da Cultura
15:00
Transit
No one wanted to give a name to the neighbourhood in the suburbs of Paris where I grew up, a block of flats built to relocate the migrants from the slums of Conflans-Saint- Honorine. I came back to this place to give them a name and a history, letting the whole story being told by the inhabitants themselves.
Photography: Renaud Drovin
Sound: Charles Le Morvan
Editing: Sébastien Descoins
Production: Anne Luthaud
I wanted to know who i am Quis saber quem sou
António Aleixo | Portugal, 2022, 22’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM • BEST PORTUGUESE DOCUMENTARY Running for Don Quijote award
3 aug
Cinema na Torre
15:00
Quis saber quem sou
In 2021, the director Antonio Aleixo opened a Pandora’s Box. Eleven hours of super 8 footage recorded by his grandparents. And with it came the question that provides a title to this cathartic documentary where the fragilities and heritages of a family dynamic are exposed. How much of the root still lives in the fruit?
Photography: João Bernardo Souza
Sound: Conrad Harvey
Editing: António Aleixo
Production: António Aleixo
Peace Paz
José Oliveira, Marta Ramos | Portugal, 2021, 25’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM • BEST PORTUGUESE DOCUMENTARY Running for Don Quijote award
5 aug
Casa da Cultura
17:00
Paz
A group of veterans of the Portuguese colonial war gets together during present times. Between songs and remembrances, the past starts taking over.
Photography: Pedro Bessa, José António Loureiro
Sound: Pedro Rufino, Bernardo Theriaga, Tomé Costa
Editing: José Oliveira, Marta Ramos
Production: José Oliveira, Marta Ramos
And then they burn the sea
Majid Al-Remaihi | Qatar, 2021, 12’ 13”
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
10:30
And then they burn the sea
And Then They Burn the sea is an elegiac contemplation on familial memory and loss. Film-maker Majid Al-Remaihi ruminates on the experience of witnessing his mother’s gradual and terminal memory loss over the course of many years. Weaving a personal family archive, re-enacted dreams and rituals, the film underlines the promise of cinema as a medium for memories, even at their most irretrievable.
Photography: Mesa Prum
Sound: Séverin Favriau
Editing: Amit Chowdhury
Production: Basel Owies
February 1st
Leila Macaire, Mo Mo | Myanmar, 2021, 12’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
10:30
February 1st
February 1st 2021: the military staged a coup in the republic of Myanmar. Through the portraits of two women film-makers, one Burmese the other French, who have both witnessed the country in a very different light, this visual documentary explores through a travel diary their reflection toward art, revolution and freedom.
Photography:
Sound: Emmanuel Jarrige
Editing: Leila Macaire
Production: Angele de lorme
In flow of words
Eliane Esther Bots | Netherlands, 2021, 22’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
10:30
In flow of words
In Flow of Words follows the narratives of three interpreters of the International Criminal Tribunal for the former Yugoslavia. They interpreted shocking testimonies from witnesses, victims and perpetrators, without ever allowing their own emotions, feelings and personal histories to be present. Contrary to their position at the tribunal, this film places their voices and experiences centre stage.
Photography: Daniel Donato
Sound: Sergio Gonzalez Cuervo
Editing: Eliane Esther Bots
Production: Manon Bovenkerk
Majmouan Subtotals
Mohammadreza Farzad | Poland, 2022, 15’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
14:30
Majmouan Subtotals
Have you kept a record of your gray hair? The number of houses you have owned or rented? The number of kisses you have exchanged? The number of times you have flown in your dreams? You may not have. It makes no real difference in a life lived beyond numbers.
Photography:
Sound: Hasan Shabankareh
Editing: Amir Adibparvar
Production: Krzysztof Franek, Krzysztof Pijarski, Kuba Mikurda, Stanisław Liguziński, Afsun Moshiry, Dagna Kidoń
You can’t automate me
Katarina Jazbec | Netherlands, 2021, 20’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
14:30
You can’t automate me
Before container-ships leave port, lashers secure the containers using heavy metal bars. They are the last port workers to do such dangerous jobs surrounded by self-driven vehicles and remotely operated cranes. Each body tells its own story: from grieving for a colleague who died on the job to just keep going. Stowaway animals appear as visions of a more natural world.
Photography: Matija Pekić
Sound: Jorick Bronius, Giliam Spliethoff
Editing: Jesse Immanuel Bom, Katarina Jazbec
Production: Sem Janssen, Katarina Jazbec
Arousak The doll
Elahe Esmaili | Islamic Republic of Iran, 2021, 30’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
14:30
Arousak The doll
After consulting with his relatives a 35-year-old father consents to the marriage of his 14-year-old daughter. As individuals with differing perspectives, his family grapple with the decision.
Photography: Emad Araad
Sound: Mohammad Ghasemi
Editing: Delaram Shemirani, Bahram Emrani
Production: Elahe Esmaili
Ali and his miracle sheep
Maythem Ridha | Iraq, 2021, 26’
Running for Jean-Loup Passek award • BEST SHORT OR MEDIUM LENGTH FILM Running for Don Quijote award
6 aug
Casa da Cultura
14:30
Ali and his miracle sheep
Guided by his grandmother’s haunting Sumerian lament, 9-year-old mute Ali takes his sheep, Kirmeta, for sacrifice on a strenuous 400km journey across Iraq’s landscape, destroyed by years of war, to the shrine of an ancient saint. Along the journey Kirmeta becomes increasingly resistant and runs away to escape his bloody fate. Ali eventually finds Kirmeta amongst carcasses of cars leftover from decades of violence and false promises of freedom. When Kirmeta collapses from exhaustion the pilgrims think he’s dead. But with the continuous prayers of grandmother back in the village, Kirmeta mysteriously recovers. Witnessing this the pilgrims declare him a MIRACLE SHEEP, a reputation that accompanies them on the rest of their journey. Can both boy and sheep survive the hardship and accept their fate? A lyrical hybrid film whose symbolism exposes the suffering of a nation whose only hope left is a mute child and his “miraculous” sheep.